Furman Classics. Dramaturg Editions. C. Blackwell, 2026. CC-BY-NC. Code and instructions on Github.

Aeschylus Eumenides

Aeschylus, Eumenides (Εὐμενίδες, Furies). Digital edition based on: Aeschylusx, Herbert Weir Smyth ed. New York. London. William Heinemann. G.P. Putnam's Sons (1926). Original SGML digital edition 1988 by The Perseus Project, G. Crane, ed. This derived edition, C. Blackwell, Furman University. 2026. Source texts and code for this page (and others) on GitHub. Licensed CC-BY-NC. urn:cts:greekLit:tlg0085.tlg007:

Table of Contents

Passages 1–197
Passages 198–396
Passages 397–597
Passages 598–730
Passages 731–847
Passages 848–1002
Passages 1003–1047

Aeschylus

Aeschylus (c. 525 – c. 456 BC) was an ancient Greek tragedian from Eleusis, widely regarded as the father of tragedy for elevating the nascent dramatic form through poetic innovation and structural advancements in fifth-century BC Athens. Born into a prominent family as the son of Euphorion, he participated in the Persian Wars, fighting at the Battle of Marathon in 490 BC where his brother Cynegeirus perished, experiences that informed the historical realism in plays like The Persians. Credited by Aristotle with introducing a second actor to the stage—reducing the chorus's dominance and emphasizing conflict between characters—Aeschylus transformed tragedy from choral lyricism to dialogic action, producing over 80 plays of which seven survive intact, including the sole extant trilogy, the Oresteia (458 BCE). His works, performed at the Dionysia festival where he secured 13 first-place victories starting with his debut win in 484 BC, explore themes of justice, divine retribution, and human hubris through grand, mythic narratives drawn from Trojan War cycles and other legends.

Eumenides

The Eumenides (Εὐμενίδες, Furies) is the third play of the Oresteia, "The Epic of Orestes." The Oresteia is a trilogy of tragedies composed by Aeschylus and first performed at the City Dionysia festival in 458 BC, where it secured first prize among competing tetralogies. The work comprises three interconnected plays—Agamemnon, Libation Bearers (also known as Choephori), and The Eumenides—accompanied by a now-lost satyr play titled Proteus, forming a complete tetralogy as per the conventions of the Dionysia. As the sole surviving example of a complete ancient Greek tragic trilogy, it represents a pinnacle of Aeschylus's dramatic innovation, emphasizing interconnected narratives across multiple plays to explore escalating consequences of familial curses and moral dilemmas.

The trilogy centers on the cursed House of Atreus, tracing a generational cycle of retribution originating from ancestral crimes, including Atreus's feast of his brother Thyestes's children. In Agamemnon, the title character returns victorious from the Trojan War but is slain in his bath by his wife Clytemnestra and her lover Aegisthus; Clytemnestra justifies the murder as vengeance for Agamemnon's sacrifice of their daughter Iphigenia to appease the gods for winds to sail to Troy. The Libation Bearers depicts Orestes, Agamemnon's son, returning from exile at Apollo's oracle command to avenge his father; with aid from his sister Electra, Orestes slays Aegisthus and Clytemnestra, only to be haunted by the Erinyes (Furies) for matricide. The cycle culminates in The Eumenides, where Orestes flees to Athens seeking asylum; Athena convenes a trial on the Areopagus hill, acquitting Orestes after Apollo's testimony and establishing jury-based justice over endless blood feuds, while the Erinyes are placated and rebranded as benevolent Eumenides under Athena's civic order.